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Thomas Mann
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Il bambino prodigio Paperback

Italian Edition
4.0 4.0 out of 5 stars 1 rating
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  1. Language
    Italian
  2. Publisher
    Studio Tesi
  3. ISBN-10
    8876925333
  4. ISBN-13
    978-8876925337
  5. See all details
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Product details

  • Language ‏ : ‎ Italian
  • ISBN-10 ‏ : ‎ 8876925333
  • ISBN-13 ‏ : ‎ 978-8876925337
  • Item Weight ‏ : ‎ 5.6 ounces
  • Customer Reviews:
    4.0 4.0 out of 5 stars 1 rating

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Thomas Mann

Thomas Mann

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Paul Thomas Mann (German: [paʊ̯l toːmas man]; 6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and the 1929 Nobel Prize in Literature laureate. His highly symbolic and ironic epic novels and novellas are noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized German and Biblical stories, as well as the ideas of Goethe, Nietzsche and Schopenhauer.

Mann was a member of the Hanseatic Mann family and portrayed his family and class in his first novel, Buddenbrooks. His older brother was the radical writer Heinrich Mann and three of his six children, Erika Mann, Klaus Mann and Golo Mann, also became important German writers. When Hitler came to power in 1933, Mann fled to Switzerland. When World War II broke out in 1939, he moved to the United States, returning to Switzerland in 1952. Thomas Mann is one of the best-known exponents of the so-called Exilliteratur, literature written in German by those who opposed or fled the Hitler regime.

Bio from Wikipedia, the free encyclopedia. Photo by Carl Van Vechten [Public domain], via Wikimedia Commons.

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4.0 out of 5 stars Perché io ho un orizzonte? Dalla vita mi ero aspettato l'infinito.
Reviewed in Italy on June 27, 2018
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La borghesia. Questo tarlo nella mente di Mann è protagonista nei suoi racconti. Borghesia che si va a fondere con l’autobiografia. Un cumulo di parole sconnesse e riconnesse che sfondano la porta a un’analisi spietata condotta dall’autore. Mann constata, con durezza, il mondo e il pensiero umano che principalmente ha conosciuto: quello altolocato (ripeto “borghese”), per lui sinonimo di tragicità. E insieme ad esso amalgama gli abissi tormentati della malattia psichica o fisica, della diversità insita nella solitudine; facendo apparire in maniera chiara i diversificati modi di vivere condizioni che possono colpire tutti. Mann riesce a focalizzare l’attenzione sul personaggio che mette in risalto consapevolmente, inducendo il lettore a captare quanto esso sia uniformato alla folla o chiuso in un mondo unicamente e gelosamente suo. L’autore scrive e descrive, ma dà l’impressione di non riuscire a entrare emotivamente nelle situazioni che sembra rigurgitare con tanta lucidità. È l’espressione dell’artista, che non può mai entrare in contatto con la pura realtà e neppure con l’estremo della fantasia. Una sospensione che diventò la sua pena e, di conseguenza, l’inchiostro di ogni parola scritta.

Inoltrandovi nei racconti raccolti nel libro troverete balenante e prepotente la bandiera interiore e letteraria di Thomas Mann, che vorrei definire prendendo in prestito le parole di Mimmo Stolfi (1): "il dissidio tra arte e vita".

(1) Mimmo Stolfi. - Thomas Mann : lucido cronista. – In: Tracce, n. 9, ott. 2001
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