L'approdo (2011) Painting by Stefano Galli

Acrylic on Canvas, 39.4x39.4 in
$7,342.6
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This artwork appears in 7 collections
The island in the middle of the lake can be reached by paying the ticket to the driver of the taxi motorboat anchored at the landing; the journey is short but exciting given the large number of people who are embarked, such as to cause a worrying draft of the boat. The island is inhabited by cloistered nuns whose condition is perceived as a sad hermitage;[...]
The island in the middle of the lake can be reached by paying the ticket to the driver of the taxi motorboat anchored at the landing; the journey is short but exciting given the large number of people who are embarked, such as to cause a worrying draft of the boat. The island is inhabited by cloistered nuns whose condition is perceived as a sad hermitage; a condition of voluntary imprisonment further worsened by the silent and solid masonry that surrounds the convent, which can be seen along the only road on the island. Only later, if you participate in mass as Christians, do you realize, when the nuns enter singing, in a double row to reach the choir stalls, how much emotion they provoke which is not compassion or misunderstanding, but a deeply moved thanks for choosing those women to dedicate themselves to prayer for the salvation of men and yours too.

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive[...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

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