Little idol of Arnesano (LE)

The card was edited by Elvira Visciola

Little idol of Arnesano (LE)

The card was edited by Elvira Visciola


The idol of Arnesano is part of the funerary equipment of the burial found in a cave tomb located about 50 centimeters deep from the ground level, equipped with an access shaft of about 1 meter in diameter and a small vaulted chamber ( maximum height 1.10 meters) with an elliptical plan (about 1.50 x 1.20 meters) closed by a vertical limestone slab (about 1,10 x 1.00 meters and 20 cm thick); a drawing by Antonio Duma, collaborator of the Superintendency of the time highlights its characteristics in planimetry and section. The burial lay in a crouched position with the skull facing east, in the direction of the funerary furnishings. The latter consisted of n. 2 ollas and a brownish gray cup attributable to the culture of Diana and the idol in Lecce stone (soft limestone very easy to work) which recalls Aegean specimens. In particular, the anthropomorphic idol in the shape of a "plug", also known as a "T" or an "owl", has remarkable similarities with those found in Cyprus and in the tholos of Aghia Triada in Crete. The methods of emergency recovery of the Arnesano tomb have created numerous doubts on the effective typology of the underground structure, as it could not be specifically created tombs but existing structures used for other purposes, subsequently de-functionalized and then reused for burials ( Anna Maria Tunzi Sisto and Mariangela Lo Zupone, 2010). The idol is schematically represented in the body, of a slightly flattened cylindrical shape so as to offer an elliptical cross-section, tapering downwards without any mention of the lower limbs or arms. The head is instead represented in greater detail, rounded and with the two superciliary arches that connect to the nose by drawing a sort of "T". A short notch marks the mouth and below, three furrows on each side (interpreted as necklaces) join under the chin and mark a triangular profile. Marija Gimbutas, in the Language of the Goddess of her reports: “…At Arnesano, near Lecce, a stone statuette with an owl mask, a chevron immediately below and the lower part of the body reduced to a stub was arranged with respect to the folded skeleton according to the same relationship found in Cuccuru S'Arriu (…the statuette was placed in front of the dead person, who lay in a folded, fetal position…). Near the statue were placed monochrome red vases, beautifully burnished, in the Diana-Bellavista style, typical of southern Italy and Sicily around 4.000 BC…” (M. Gimbutas, 2008).

Historical notes

The idol was found in August 1968, together with other material from the funerary equipment, inside a Neolithic burial which came to light following some excavation work for the opening of a well for the collection of sewage in the courtyard of a private house owned by Mrs. Maria dell'Anna in Barba, located in the Riesci district of the town of Arnesano, in the province of Lecce, exactly in Via Dante n. 38. The local Superintendency was immediately alerted of the find and, having gone to the site, was able to ascertain that the works had partially destroyed the tomb which was, at that point, incorporated in the cockpit.

Already in 1887 Cosimo De Giorgi, a well-known local doctor with a passion for archeology and paleontology, had identified a Neolithic village in the Riesci district, with the discovery of numerous finds, including flint and obsidian tools and various ceramics, material merged into the Sigismondo Provincial Archaeological Museum Castromediano of Lecce. A report by the Superintendent of Antiquities of Apulia of Taranto, Felice Gino Lo Porto, published in the Rivista di Scienze Preistoriche n. XXVII of 1972, reports the following in note no. 3: “Unfortunately and without our knowledge, the bones of this deposition, probably single, were collected in a box and delivered to a certain Argimino, the Arnesano municipal sweeper, who had them placed in the ossuary of the local cemetery. From what has recently been reported to us on the site, the recovery of these finds, although laborious for obvious reasons, does not appear impossible. With the support of the municipal authorities, the enterprise will be attempted in the near future. A photograph taken by the finders of these bones reveals the presence of two femurs and fragments of the tibias, as well as the remains of a skullcap and a lower jaw. A premolar, given to us by the owner of the land, seems to indicate that it is a young adult” (FG Lo Porto, 1972). To date there is no news of the recovery of the bones of the deceased and/or of further investigations, therefore the information is that of the time and above all it has not been possible to ascertain whether the body was male or female.

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CARD

Name

Little idol of Arnesano (LE)

Subject

Manufactured goodsFemale figurineTombs

Timeline

The idol had originally been dated by Felice Gino Lo Porto to 2400 BC, but the discovery in 2001 of a tomb in Carpignano Salentino, very similar to that of Arnesano, dated to the mid-4500th millennium BC and on which it was possible to investigate in more precisely by Elettra Ingravallo and Ida Tiberi, has also brought back the dating of the Arnesano burial by a few millennia and more precisely to 4000-XNUMX BC

Location of discovery

The Neolithic tomb together with the stone idol were found in the courtyard of a private house in Via Dante n. 38 of the Riesci district located in the Municipality of Arnesano - Province of Lecce

Region

Puglia

Environmental context

burials

exhibits exhibited

The idol, together with the ceramics that form part of the funeral equipment, are exhibited at the National Archaeological Museum of Taranto in Via Cavour 10, tel. 099-4532112. The Municipality of Arnesano keeps a faithful cast of the original idol

State of conservation

Ottimo

Dimensions:

Height 35 cm. maximum width 17 cm. and maximum thickness 9 cm.; the head has a height of 12 cm, a width of 13 and a thickness of 10 cm.

Legal condition

State property

REFERENCES

  1. Antonio Costantini – Architecture and rural landscape in the Cupa area – Puglia Region – Public Education Department – ​​Monteroni 1997;
  2. Marija Gimbutas – The language of the Goddess – The Owls of Venexia Editions 2008;
  3. Anna Maria Tunzi Sisto and Mariangela Lo Zupone - "Funerary and cultic aspects of the recent Neolithic in Ponte Rotto (Ordona - FG)" - in Proceedings of the 30th National Conference on Prehistory, Protohistory and History of the Daunia – San Severo 2010;
  4. Elettra Ingravallo and Ida Tiberi – “The Salento Neolithic in the international circuit of loans and exchanges" - In Antiquity Studies – no. 12 – Publisher discharge 2008;
  5. Electra Ingravallo and Ida Tiberi – Fifth millennium societies in the light of funerary rituals: the tomb of Carpignano Salentino (Lecce) –2007;
  6. Happy Gino Lo Porto – “The Neolithic tomb with stone idol of Arnesano (Lecce)” - In Journal of Prehistoric Sciences – no. XXVII, I – Florence 1972;
  7. Renata Grifoni Cremonesi and Annaluisa Pedrotti – “The art of the Neolithic in Italy: state of research and new acquisitions" - In XLII scientific meeting of the IIPP Prehistoric art in Italy – Trento, Riva del Garda, Val Camonica, 9-13 October 2007;
  8. Mario Giannitrapani – Anthropomorphic Neolithic coroplastic of Italy – Bar International Series 1020 – Oxford 2016.
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