Tonno rosso
Acrylic on Paper
38x63in
$5,270
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Artist highlights
Young Talent
Nationally Known
Solo shows participant
Works on commission
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About this artwork
- Medium
- Acrylic on Paper
- Framing
- Framing on request
- Dimensions
- 27.6x18.5in
This work is one of the three I brought to Rennes, for the collective exhibition of European gyotaku artists.
The exhibition included the Takuseikai method, that is, the prohibition of retouching fish once printed. Post show I took the liberty of adding some shadow range.
The design of the spiral is certainly the most complex from an executive point of view: the anchovy crossings are performed by first impressing the fish in the foreground, while… the others that "pass behind" are printed one piece at a time to avoid unpleasant crossings. and overlays.
Not being able to darken the fish after printing, the dark effect of the anchovies that pass behind is obtained by inking the fish more, while those in the foreground have been inked more lightly.
The exhibition included the Takuseikai method, that is, the prohibition of retouching fish once printed. Post show I took the liberty of adding some shadow range.
The design of the spiral is certainly the most complex from an executive point of view: the anchovy crossings are performed by first impressing the fish in the foreground, while… the others that "pass behind" are printed one piece at a time to avoid unpleasant crossings. and overlays.
Not being able to darken the fish after printing, the dark effect of the anchovies that pass behind is obtained by inking the fish more, while those in the foreground have been inked more lightly.
About the creator
Elena Di Capita
Italy
Credentials
- Young Talent
- Nationally Known
- Solo shows participant
- Works on commission
« Japanese elegance meets Italian dynamism. »
Elena Di Capita is an artist based in Italy whose paintings have been exhibited nationally and in France. She is principally inspired by gyotaku, which is a traditional Japanese method for printing fish that dates back to the mid-1800s. However, Di Capita's compositions differ from the usual gyotaku panorama, as she imbues her pieces with a "three-dimensional multitude that becomes pure dynamism". She creates with acrylics and ink on paper.
Other Artworks by Elena Di Capita
