The title of the exhibition and the Empty section
The title refers to a famous performance by Yves Klein in 1960 which portrays the artist as he throws himself into the void from the ledge of a house in the street in Paris, clearly a photomontage.
However, it also partly refers to the exhibition of Klein Le Vide (The Void) at the Gallery Iris Clert in Paris. An exhibition with nothing, in which the gallery had been completely painted white.
The Empty section begins with this homage to white and to the white square by Kazimir Malevich who is the great absentee (in addition to Yves Klein whose reference is present only in the title) of this exhibition which we are talking about absence.
The first rooms bring together works from the 60s and 70s, mainly Italian authors, but not only, the experiences of Agostino Bonalumi and Enrico Castellani, the perforated transparent plastic sheets of Dadamaino, the minimalist compositions of Jean Degottex and Aiko Miyawaki up to the experiments with light and space of Ann Veronica Janssens.