RMEX6G80–Eadward Muybridge. Woman getting into bed. Sequence of photographs to show incremental movement. 1887
RMT96HHK–A woman lifting up a child off the ground. The more than seven hundred movement studies in Muybridge's Animal Locomotion series range from methodical investigations of the torqued actions of men, women, and a veritable bestiary to compendia of the more banal actions of daily life. Progenitors of filmic technology, Muybridge's sequences, often reconfigured for legibility rather than strict accuracy, were intended both for scientific scrutiny and artistic investigation.
RM2HB74JE–Woman Moving, 'Miscellaneous - stooping, etc', Eadweard Muybridge (mentioned on object), United States of America, 1885 - 1886, paper, collotype, height 483 mm × width 611 mmheight 250 mm × width 295 mm
RF2HW4HX8–Art inspired by Woman Opening Parasol, 1883–86, printed 1887, Collotype, Photographs, Eadweard Muybridge (American, born Britain, 1830–1904, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2EB1Y4B–motion studies of bird, horse and cat in multiple images
RF2HKDCRK–Inspired by Woman Moving, 'Miscellaneous - stooping, etc', Eadweard Muybridge, United States of America, 1885 - 1886, paper, collotype, height 483 mm × width 611 mmheight 250 mm × width 295 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPB5506–[Woman Opening Parasol]. Artist: Eadweard Muybridge (American, born Britain, 1830-1904). Printer: The Photo-Gravure Company. Date: 1883-86, printed 1887. Museum: Metropolitan Museum of Art, New York, USA.
RF2AX4F3W–1895 ca , GREAT BRITAIN : Eadweard J. Muybridge ( 1830 - 1904 ) was an English photographer who spent much of his life in the United States. He is known for his pioneering work on animal locomotion which used multiple cameras to capture motion, and his zoopraxiscope , a device for projecting motion pictures that pre-dated the flexible perforated film strip . Photo by woman photographer Frances Benjamin JOHNSTON ( 1864 - 1952 ). Born Edward James Muggeridge . - PIONIERE DEL CINEMA - IMMAGINI IN MOVIMENTO - STUDIOSO DELLA LOCOMOZIONE ANIMALE - PORTRAIT - RITRATTO - BELLE EPOQUE - MOVIE -
RMKC77HP–Animal Locomotion. An Electro-Photographic Investigation... of Animal Movements. Commenced 1872 - Completed 1885. Volume VII
RMCWBT3B–Photographic motion study of a women pouring a basin of water over her head by Eadweard Muybridge. Ca. 1884-87.
RM2R8BGX7–Animal Locomotion (plate 326) (Woman with Tennis Racquet, Throwing Water, etc.) 1887 by Eadweard Muybridge, born Kingston-upon-Thames, England 1830-died Kingston-upon-Thames, England 1904
RMMPTPHX–Woman climbing stairs and jumping down, Plate 173 from Animal Locomotion, 1887 (photograph)
RM2R8G3CE–Woman Descending a Stairway and Turning Around, from the book, Animal Locomotion ca. 1887 by Eadweard Muybridge, born Kingston-upon-Thames, England 1830-died Kingston-upon-Thames, England 1904
RM2H43ARK–A woman washing. Photogravure after Eadweard Muybridge, 1887.
RMBTKGK7–Photographic motion study of a women pouring a basin of water over her head by Eadweard Muybridge. Ca. 1884-87.
RM2K63MA0–A woman taking a shower and having tea.
RF2EB1Y5C–motion studies of mother and child
RF2HKYH4R–Art inspired by Woman Moving, 'Miscellaneous - stooping, etc', Eadweard Muybridge, United States of America, 1885 - 1886, paper, collotype, height 483 mm × width 611 mmheight 250 mm × width 295 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW4GJP–Art inspired by Animal Locomotion. An Electro-Photographic Investigation... of Animal Movements. Commenced 1872 - Completed 1885. Volume VII, Men and Woman (Draped) Miscellaneous Subjects, 1880s, Photogravures, Books, Eadweard Muybridge (American, born Britain, 1830–1904, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR305WE–Plate Number 504. Ascending and descending stairs. Dated: 1887. Dimensions: image: 21.27 × 34.29 cm (8 3/8 × 13 1/2 in.) sheet: 47.47 × 60.33 cm (18 11/16 × 23 3/4 in.). Medium: collotype. Museum: National Gallery of Art, Washington DC. Author: Eadweard Muybridge.
RM2R8B3HK–Woman Picking Up a Ball and Throwing It, from the book Animal Locomotion ca. 1887 by Eadweard Muybridge, born Kingston-upon-Thames, England 1830-died Kingston-upon-Thames, England 1904
RM2H47BDC–A woman opening an umbrella. Collotype after Eadweard Muybridge, 1887.
RM2RG8WJ5–Woman in a long dress surmounting an obstacle.
RM2RG8WKH–Woman in a long dress walking, stooping etc.
RM2RG8WJ2–Woman in a long dress turning, etc. second of two
RM2K63NFP–Woman in a long dress carrying a cup and saucer
RMG15N4E–Muybridge Zoopraxiscope, Horseback Somersault, 1893. The zoopraxiscope is an early device for displaying motion pictures. Created by photographic pioneer Eadweard Muybridge in 1879, it may be considered the first movie projector. The zoopraxiscope project
RM2R8F6TB–Woman Lifting a Basket, Waving a Handkerchief, from the book Animal Locomotion ca. 1887 by Eadweard Muybridge, born Kingston-upon-Thames, England 1830-died Kingston-upon-Thames, England 1904
RM2H47BD4–A woman kneeling down to pray. Collotype after Eadweard Muybridge, 1887.
RM2K63NGX–Woman in a long dress turning, etc. first of two
RM2C71AAP–Animal Locomotion. An Electro-Photographic Investigation... of Animal Movements. Commenced 1872 - Completed 1885. Volume VII, Men and Woman (Draped) Miscellaneous Subjects, 1880s.
RM2R8FXHA–Woman Throwing Handkerchief in Air, Picking It Up, from the book Animal Locomotion ca. 1887 by Eadweard Muybridge, born Kingston-upon-Thames, England 1830-died Kingston-upon-Thames, England 1904
RM2H47BW5–A clothed woman takes off all her clothes. Collotype after Eadweard Muybridge, 1887.
RM2RG8WJ6–Woman in a long dress with a fan, or making other movements.
RM2F3CJ5T–Plate Number 188. Dancing (fancy), 1887.
RM2H432BG–A woman bearing basket on head. Photogravure after Eadweard Muybridge, 1887.
RM2RG8WJ7–Woman in a short dress carrying a basket of flowers or a vase.
RM2F3CJ68–Plate Number 175. Crossing brook on stepping-stones with a fishing pole and can, 1887.
RM2H47BK4–A woman drinking out of a goblet. Collotype after Eadweard Muybridge, 1887.
RM2F3CJ5R–Plate Number 504. Ascending and descending stairs, 1887.
RM2H47B67–A woman walking up a plank. Collotype after Eadweard Muybridge, 1887.
RM2C71AFM–Coffee Harvesting, Las Nubes-Guatemala, 1875.
RM2H436GB–A woman putting a barrel on her shoulder. Photogravure after Eadweard Muybridge, 1887.
RM2H438H9–A woman carrying a load on her head. Photogravure after Eadweard Muybridge, 1887.
RM2H4345C–A woman wringing out a piece of cloth. Photogravure after Eadweard Muybridge, 1887.
RM2H42Y70–A woman picking up a piece of cloth. Photogravure after Eadweard Muybridge, 1887.
RM2H43C64–A woman getting up off the ground and walking. Photogravure after Eadweard Muybridge, 1887.
RM2H47BWA–A woman walking wearing a diaphanous gown. Collotype after Eadweard Muybridge, 1887.
RM2H47C5B–A clothed woman puts on clothing over her undergarments. Collotype after Eadweard Muybridge, 1887.
RM2H47C1E–A clothed woman lifts a bucket of water and empties it. Collotype after Eadweard Muybridge, 1887.
RM2H47C5J–A clothed woman puts on clothing over her undergarments. Collotype after Eadweard Muybridge, 1887.
RM2H47BXE–A woman filling up a basin and washing her face. Collotype after Eadweard Muybridge, 1887.
RM2H47C0X–A clothed woman bends and picks up an armful of hay. Collotype after Eadweard Muybridge, 1887.
RM2H47BWN–A clothed woman sits on a chair then stands. Collotype after Eadweard Muybridge, 1887.
RM2H43BAE–A woman sitting down on a chair and fanning herself. Photogravure after Eadweard Muybridge, 1887.
RM2H47CD8–A clothed woman bending to her right to grasp the train of her dress and then turning. Collotype after Eadweard Muybridge, 1887.
RM2H47C18–A clothed woman climbs onto a chair she was carrying. Collotype after Eadweard Muybridge, 1887.
RM2H47C25–A clothed woman lifts a water jar and pours from it. Collotype after Eadweard Muybridge, 1887.
RM2H43AFN–A woman picks up a broom off the ground and sweeps. Photogravure after Eadweard Muybridge, 1887.
RM2H47C21–A clothed woman lifts a water jar and pours from it. Collotype after Eadweard Muybridge, 1887.
RM2H433GJ–A woman lying down, showing from a three different angles. Photogravure after Eadweard Muybridge, 1887.
RM2H47CA6–A clothed woman stooping to lower a vase of flowers towards the floor. Collotype after Eadweard Muybridge, 1887.
RM2H47C67–A clothed woman pours liquid from a glass then drinks from it. Collotype after Eadweard Muybridge, 1887.
RM2H47C4X–A woman walking wearing a back brace with a spinal indicator. Collotype after Eadweard Muybridge, 1887.
RM2H47C9Y–A clothed woman carries a basket and jar then places them on the ground. Collotype after Eadweard Muybridge, 1887.
RM2WC0CAE–Woman Walking, Holding a Basket on her Head, Eadweard Muybridge, 1887 photomechanical print paper. cardboard collotype walking
RM2H47C9B–A woman sitting on a chair being given a drink by another woman. Collotype after Eadweard Muybridge, 1887.
RM2H47CF7–A clothed woman places a chair on the ground, sits on it, crosses her legs and fans herself. Collotype after Eadweard Muybridge, 1887.
RM2H47CF0–A clothed woman holding a fan in her left hand, bending to the side to lift her dress with the right. Collotype after Eadweard Muybridge, 1887.
RM2H47CFC–A clothed woman carrying a chair and fan puts the chair down, sits on it, opens the fan and waves it about. Collotype after Eadweard Muybridge, 1887.
RM2W9EPEG–Woman Moving, 'Miscellaneous - stooping, etc', Eadweard Muybridge, 1887 photomechanical print United States of America paper collotype historical persons - BB - woman. movements of the human body
RM2H47CKE–A clothed woman bends to pick up a ball from the ground with her right hand, raises it to shoulder height, throws it, then lowers her arm. Collotype after Eadweard Muybridge, 1887.
RM2H47CW5–A clothed woman lies on her left side on the ground, head resting on her left hand. She raises herself from the hips, turns away from the camera and rests on her right elbow. Collotype after Eadweard Muybridge, 1887.
RM2HHWBP3–Animal Locomotion. An Electro-Photographic Investigation... of Animal Movements. Commenced 1872 - Completed 1885. Volume VII, Men and Woman (Draped) Miscellaneous Subjects 1880s Eadweard Muybridge American, born Britain. Animal Locomotion. An Electro-Photographic Investigation... of Animal Movements. Commenced 1872 - Completed 1885. Volume VII, Men and Woman (Draped) Miscellaneous Subjects 266437
RM2WT1AH0–Mammoth Tree Grove, Calaveras County, California. Abraham Lincoln. 320 Feet High, 54 Feet in Circumference. Eadweard J. Muybridge, photographer (American, born England, 1830 - 1904) negative 1867, print later Group portrait of two Caucasian men and a Caucasian woman at the base of a large tree. A sign displaying the words, 'Abraham Lincoln,' is nailed to the tree's trunk. (Recto, mount) upper right, above image, in pencil: '#4 [circled]'; Upper right, above image, in blue ink: 'Victoria's Grandfather in center'; Lower right, below image, printed on label, in black ink: 'MAMMOTH TREE GROVE, / C
RM2G01014–Woman Walking, Holding a Basket on her Head. Eadweard Muybridge is a major forerunner of modern photography. He demonstrated early on that a camera ‘sees’ more, and better, than the human eye. He began making studies of motion in 1872 to settle the question whether all four legs of a horse are off the ground at the same time when galloping. And, indeed, horses ‘float’. Many a painting turns out to be based on a misunderstanding.
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation