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Quadratura Stock Photos and Images
RM2JE3KFE–Mathematician and putti, Title page for: Gregorius à Sancto Vincentio, Problema Austriacum plus ultra quadratura circuli, 1647, Between two columns a lion's skin is stretched with the title of the book. A man is drawing a circle and a triangle in the sand with a stick. Two men behind him are looking at it. To the right two putti displaying medals, behind three putti drawing a circle with a compass., print maker: Cornelis Galle (II), (mentioned on object), after drawing by: Abraham van Diepenbeeck, (mentioned on object), publisher: Johannes van Meurs, (mentioned on object), Antwerp, 1647, paper
RFT6JNDD–Armoury Corridor ceiling paintings show an illusionist display of architectural features (quadratura) by Tuscan artist Nicolò Nasoni in 1727
RM2BT508D–Portrait of Agostino Mitelli, Italian Baroque painter and quadratura fresco painter 1609-1660. Augustin Metelli. Copperplate engraving by M. Aubert from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
RMDKJ132–Rome, Roma, The Eternal City, Roma Capitale has a rich history which goes back over 2,500 years. Pozzo Corridor.
RMT156XD–Portrait of Agostino Mitelli, Italian Baroque painter and quadratura fresco painter 1609-1660. Augustin Metelli. Copperplate engraving by M. Aubert from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
RM2PHXDPY–Giovanni Alberti, Italian painter, poet and art critic, 1558–1601. Known for his perspective painting (quadratura) in landscapes. Brother of Cherubino Alberti. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RM2PWGRFM–Jacopo Chiavistelli, Italian painter of the Baroque period, c.1618-1698. Worked mainly in his native city of Florence in the Palazzo Pitti, Palazzo di Valfonda, etc. Shown with canvas and paintbrush under a quadratura or painted arch. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RMJHDA25–Gregory - Vera circuli et hyperbolae quadratura, in propria sua proportionis specie, inventa et demonstrata, 1667 - 878952
RFT38YD6–Fresco painting under Brunelleschi's Dome depicting the Last Judgement in the Florence Cathedral in quadratura style, Italy.
RM2J0058H–Study for a Ceiling Quadratura Frame. Italy, Bologna, 17th century. Drawings. Pen and brown ink and brown and green wash
RM2T87815–Cornelis Galle der Jüngere II (Engraver) Titleblatt, ProblemA Austriacum Plus Ultra Quadratura Circuli, allegorical representation (book illustration). Copper engraving print 1647 , 1647
RM2E21094–Queen Anne and her husband Prince George of Denmark at the painted hall by Sir James Thornhill at the Old Royal Naval College, Greenwich, London, UK
RM2AKHPXN–Philosophiae naturalis principia mathematica . efin docueruntreftangulorum. Confiderando igitur quod quantitates sequalibus temporibus cref-centes & crefcendo genitae, pro velocitate majori vel minori quacrefcunt ac generantur, evadunt majores vel minores; methodumquaerebam determinandi quantitates ex velocitatibus motuum velincrementorum quibus generantur; & has motuum vel incremen-torum velocitates nominando Fluxiones & quantitates genitas nomi-nando Fljtentes, incidi paulatim Annis 1665- & 1666 in MethodumFluxionum qua hic ufus fum in Quadratura Curvarum. Fluxiones funt quam proxime ut Flue
RM2T68D6C–Giovanni Alberti, Italian painter, poet and art critic, 15581601. Known for his perspective painting (quadratura) in landscapes. Brother of Cherubino Alberti. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RMG0TCPC–Pietro da Cortona (1596-1669), Allegory of Divine Providence detail (ca.1633-1639). Palazzo Barberini.
RM2A38PB5–Statue of the Dutch scientist, physicist, astronomer and mathematician, Christiaan Huygens (artist Albert Termote, 1949), Schiekade, Rotterdam
RF2C6EXR7–Rome, Italy - 16 Feb 2020: Painted vaults of Saint Ignatius church, with trompe l oeil perspective by Renaissance painter Andrea Pozzo, in Rome, Italy
RM2PWGRH4–Andrea Pozzo, Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician, 1642-1709. Painted the ceiling of the Church of Saint Ignatius of Loyola in Rome. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RM2BC2EM2–Gregory - Vera circuli et hyperbolae quadratura, in propria sua proportionis specie, inventa et demonstrata, 1667 - 878952.
RF2H20736–Painted ceiling by Jesuit lay brother at St. Ignatius of Loyola in Rome, Italy depicts allegorical representations of four continents.
RM2T87813–Cornelis Galle der Jüngere II (Engraver) Titleblatt, ProblemA Austriacum Plus Ultra Quadratura Circuli, allegorical representation (book illustration). Copper engraving print 1647 , 1647
RM2E210A7–King George I at the painted hall by Sir James Thornhill at the Old Royal Naval College, Greenwich, London, UK
RM2H0YKK1–The Apotheosis of Romulus: Design for a Ceiling, c. 1675-76. Domenico Maria Canuti (Italian, 1625-1684). Black chalk, pen and brown ink, brown wash, heightened with white, with perspectival indications; sheet: 24 x 37.7 cm (9 7/16 x 14 13/16 in.). Domenico Maria Canuti made this design for a quadratura ceiling fresco in preparation for a commission at the Palazzo Altieri in Rome. Quadratura describes painting in which architectural elements are painted to appear to be part of the real architectural setting. Canuti focused on establishing the visual coherence between the figures, portraying th
RM2T6CTMP–Jacopo Chiavistelli, Italian painter of the Baroque period, c.1618-1698. Worked mainly in his native city of Florence in the Palazzo Pitti, Palazzo di Valfonda, etc. Shown with canvas and paintbrush under a quadratura or painted arch. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RM2G49JKJ–Mathematician and putti; Title page for: Gregory à Sancto Vincentio, Problema Austriacum Plus Ultra Quadratura Circuli, 1647. A lion skin is tense with the title of the book between two columns. A man signs a circle and a triangle in the sand with a stick. Two men look behind him. Right two putti that show medals, behind three putti that draw a circle with a passer.
RM2AKHTWD–Philosophiae naturalis principia mathematica . e cognofcamus : Sicut radices furdae fini-tarum aequationum nec numeris nec quavis arte Analytica ita pofliintexhiberi ut alicujus quantitas a reliquis diffinfta exafte cognofcatur. Denique ad Analyticam merito pertinere cenfeatur cujusbeneficiocurvarum areae & longitudines &c. (id modo fiat) exafte & Geome-trice determinentur. Sed ifi:a narrandi non efl locus, refpicienti duoprae reliquis demonflranda occurrunr. I. Demonflratto quadratura curvarum fmpTictumm Regula prtma. Traparatio pro Regula prima demonjlranda. Sit itaque curvae alicujus AD^ Ba
RF2C6EXTF–Rome, Italy - 16 Feb 2020: Painted vaults of Saint Ignatius church, with trompe l oeil perspective by Renaissance painter Andrea Pozzo, in Rome, Italy
RMP8NTMM–Scaffolding raised to restore the painted hall ceiling at the Old Royal Naval College known as the Sistine Chapel of the UK, Greenwich, London, UK
RM2T68W9X–Andrea Pozzo, Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician, 1642-1709. Painted the ceiling of the Church of Saint Ignatius of Loyola in Rome. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RM2G44KWJ–Mathematician and putti; Title page for: Gregory à Sancto Vincentio, Problema Austriacum Plus Ultra Quadratura Circuli, 1647. A lion skin is tense with the title of the book between two columns. A man signs a circle and a triangle in the sand with a stick. Two men look behind him. Right two putti that show medals, behind three putti that draw a circle with a passer.
RM2AKH5R9–Philosophiae naturalis principia mathematica . , & fumma trium quae funt deinceps; vel fifumantur fumm£E quaternarum Ordinaiarum, vel fummae quinarum:Area Curvae novfe aequalis erit Areae Curvse primo propofitEB. Etfichabitis Curvse quadrandae Ordinatis quotcunque quadratura ejus adquadraturam Curvae alterius per pauciores Ordinatas reducetur. Per data vero punda quotcunque non folum Curvae lineas ge- neris METHODUS DIFFERENTIALIS. lo; neris Tarabolici, fed etiam Curvae aliae innumerae diverforum gene-rum duci pollunt. Sunto CDE, FGH Curvae duae AbfcifTamhabentes communem AB, & Ordinatas inead
RF2C6EWTN–Rome, Italy - 16 Feb 2020: Painted vaults of Saint Ignatius church, with trompe l oeil perspective by Renaissance painter Andrea Pozzo, in Rome, Italy
RM2E21089–Interior of the painted hall by Sir James Thornhill at the Old Royal Naval College, Greenwich, London, UK
RM2AKJCMK–Philosophiae naturalis principia mathematica . li!, motus ho-rarius Nodi in hoc cafu erit 33. 10. 33- ^.^ Aliis autem in ca-fibus motus ifte horarius erit ad 33. 10. 33*. x ut contentumfub fmubus angulorum trium TTl, TTN, & STN (feu diftan-tiarum Limae a Quadratura, Lunse a Nodo, & Nodi a Sole) adcubum Radii. Et quoties flgnum anguli alicujus de affirmativo innegativum, deque negativo in affirmativum mutatur, debebit mo-tus regreflivus in progreffivum & progreffivus in regreffivum mu-tari. Unde fit ut Nodi progrediantur quoties Luna inter Qua-draturam alterutram & Nodum Quadraturs proximum v
RF2C6EWWC–Rome, Italy - 16 Feb 2020: Painted vaults of Saint Ignatius church, with trompe l oeil perspective by Renaissance painter Andrea Pozzo, in Rome, Italy
RF2B8698B–Rome, Italy - 16 Feb 2020: Painted vaults of Saint Ignatius Church in Rome, Italy, with trompe-l'oeil perspective by Renaissance painter Andrea Pozzo
RMP8NTMK–A tour visiting the painted hall ceiling at the Old Royal Naval College, Greenwich known as the Sistine Chapel of the UK, London, UK
RM2AWEEXC–Il tempio della virtù, allusivo al tempio di Gerosolima eretto nel regio appartamento del serenissprincipe di Toscana Ferdinando IIIin occasione di celebrarsi in esso dalla sua somma pietà l'anniversaria festa di SFrancesco di Paola l'anno MDCCVI . colo, dove erano lAltare, e e dove nel giorno della Fefta FArca. di S.Francefco di Paola refta-no fituati lAltare, la Statua,e Reliquia di detto Santo. DEL TEMPI Or Allegorica. i[. Monte della Virtù . Afijlìca. I, Virtù Eroica del Serenifs.Prin-cipe. ??M «aSB^HaB Quadratura del Tempio dellaVirtù , Prudenza, Giuftizia,Fortezza, Temperanza. 2, Il Sere
RF2B8697C–Rome, Italy - 16 Feb 2020: Painted vaults of Saint Ignatius Church in Rome, Italy, with trompe-l'oeil perspective by Renaissance painter Andrea Pozzo
RMP8NTMP–The painted hall ceiling by Sir James Thornhill at the Old Royal Naval College, Greenwich, London, UK
RM2AJBA0K–Philosophiae naturalis principia mathematica . eu diftantia-rum Lunse a Quadratura,Lunae a Nodo &. Nodi a Sole) ad cubumRadii. Et quoties fignum anguli alicujus de affirmativo in nega-tivum, deque negativo in affirmativum mutatur, debebitmotus re-greffivus in progreffivum &c progreffivus in regreflivum mutari. Un-de fit ut Nodi progrediantur quoties Luna inter Qiiadraturam al-terutram <Sc Nodum Quadraturae proximum verfatur. Aliis in ca-fibus regrediuntur, Sc per exceflum regrelTus fupra progrelTum, fin-gulis menfibus feruntur in antecedentia. Corol. 1. Hinc fi a dati arcus quam minimi (P J
RF2B869CD–Rome, Italy - 16 Feb 2020: Painted vaults of Saint Ignatius Church in Rome, Italy, with trompe-l'oeil perspective by Renaissance painter Andrea Pozzo
RM2AJB8C2–Philosophiae naturalis principia mathematica . Z^Z & ad ^TuLimus duplicati anguli ATn adRadium) ut inclinationis ejufdem Sinus ductusin Sinumduplicatae diftantias Nodorum a Sole, ad quadruplum quadratumRadii. Corol.4. Quoniam inclinationis horaria Variatio, ubi Nodi inQuadraturis veriantur, eft (per Propofitionem fuperiorem) adan- gulum 33. 10. ^f.utlTxJZxTGx ^adJTcuh. id eft utITxTG x ZJ ad ATi hoc eft ut Sinus duplicatas diftantix Lunar AT PG a Quadraturis ductus in ^q a^ radium duplicatum: fumma omni-um Variationum horariarum, quo tempore Luna in hoc fitu No-dorum traniit a Quadratura ad Sy
RM2AKHYXC–Philosophiae naturalis principia mathematica . nde, pro ylLquationev^^M^^x—jy, nova producitur, viz.y = ^* +£ —8^ + ,-!:. —Tii^&c. Et (per Reg. i.) Area quae/itaABDC erit -zia,+ 1--^^, + ^^^^^ &c. Et haec ell Quadra-tura Hyperbolae. /i^= y, (Cujus Quadratura dat LongitudinemcurvfeEIiipti-cs 5) Extrahendo radicem utramque prodit I —^bx^ ^ il>tx* — filsx* — ^ 6*xi Et Dividendo, ficut fit in Fraaionibus Decimalibus, habesi + ibx + U^z + ii^z + ^Ab^x^ &c.+ ba +ab + ^ab^ + if«^—-ia^ —T^a^b —-^a^-b+ -^a^ + 7i^^. Adeoque Areamquaefitam;^+i^;^j5 + -j^x;^j &c. + i« + 5i<2^ Sed obfervandum eft,
![Philosophiae naturalis principia mathematica . / o+^ JL + J. — * 4. ^ Sa«^l6a« 64« zs^ato ? ? ^ ] B 5.v8 , s;i° xi^ 644 * 64»! 25«« &c. V Unde. PER .EQUATIONES INFINITAS. ;j Unde, pro ylLquationev^^M^^x—jy, nova producitur, viz.y = ^* +£ —8^ + ,-!:. —Tii^&c. Et (per Reg. i.) Area quae/itaABDC erit -zia,+ 1--^^, + ^^^^^ &c. Et haec ell Quadra-tura Hyperbolae. /i^= y, (Cujus Quadratura dat LongitudinemcurvfeEIiipti-cs 5) Extrahendo radicem utramque prodit I —^bx^ ^ il>tx* — filsx* — ^ 6*xi Et Dividendo, ficut fit in Fraaionibus Decimalibus, habesi + ibx + U^z + ii^z + ^Ab^x^ &c.+ ba +a Stock Photo](https://c8.alamy.com/comp/2AKJ08P/philosophiae-naturalis-principia-mathematica-o-jl-j-4-sal6a-64-zsato-b-5v8-si-xi-644-64!-25-c-v-unde-per-equationes-infinitas-j-unde-pro-yllquationevmxjy-nova-producitur-vizy-=-8-!-tiic-et-per-reg-i-area-quaeitaabdc-erit-zia-1-c-et-haec-ell-quadra-tura-hyperbolae-i=-y-cujus-quadratura-dat-longitudinemcurvfeeiiipti-cs-5-extrahendo-radicem-utramque-prodit-i-bx-ilgttx-filsx-6xi-et-dividendo-ficut-fit-in-fraaionibus-decimalibus-habesi-ibx-uz-iiz-abx-c-ba-a-2AKJ08P.jpg "Philosophiae naturalis principia mathematica . / o+^ JL + J. — * 4. ^ Sa«^l6a« 64« zs^ato ? ? ^ ] B 5.v8 , s;i° xi^ 644 * 64»! 25«« &c. V Unde. PER .EQUATIONES INFINITAS. ;j Unde, pro ylLquationev^^M^^x—jy, nova producitur, viz.y = ^* +£ —8^ + ,-!:. —Tii^&c. Et (per Reg. i.) Area quae/itaABDC erit -zia,+ 1--^^, + ^^^^^ &c. Et haec ell Quadra-tura Hyperbolae. /i^= y, (Cujus Quadratura dat LongitudinemcurvfeEIiipti-cs 5) Extrahendo radicem utramque prodit I —^bx^ ^ il>tx* — filsx* — ^ 6*xi Et Dividendo, ficut fit in Fraaionibus Decimalibus, habesi + ibx + U^z + ii^z + ^Ab^x^ &c.+ ba +a Stock Photo")
RM2AKJ08P–Philosophiae naturalis principia mathematica . / o+^ JL + J. — * 4. ^ Sa«^l6a« 64« zs^ato ? ? ^ ] B 5.v8 , s;i° xi^ 644 * 64»! 25«« &c. V Unde. PER .EQUATIONES INFINITAS. ;j Unde, pro ylLquationev^^M^^x—jy, nova producitur, viz.y = ^* +£ —8^ + ,-!:. —Tii^&c. Et (per Reg. i.) Area quae/itaABDC erit -zia,+ 1--^^, + ^^^^^ &c. Et haec ell Quadra-tura Hyperbolae. /i^= y, (Cujus Quadratura dat LongitudinemcurvfeEIiipti-cs 5) Extrahendo radicem utramque prodit I —^bx^ ^ il>tx* — filsx* — ^ 6*xi Et Dividendo, ficut fit in Fraaionibus Decimalibus, habesi + ibx + U^z + ii^z + ^Ab^x^ &c.+ ba +a
RM2AKJDTM–Philosophiae naturalis principia mathematica . zygiam, ea ratione accelerari,ut ejus momentum in Syzygia Lunas fit ad ejus momentum inQuadratura ut 11073 ad 10973 , utque excelTus momenti in locoquovis intermedio T fupra momentum in Quadratura fit ut qua-dratum finus anguli CTT. Id quod fatis accurate fiet, fi tan-gens anguli CTT diminuatur in fubduplicata ratione numeri10973 ad numerum 11073, ideft, in ratione numeri 68, 6877 adnumerum 69. Quo paftotangens anguli CTT jam e-rit ad tangentem motus me-dii ut 68, 6877 ad 70, & an-gulus CTT in Oaantibus,ubi motus medius efl 456-invenietur 44.^- xy
![Philosophiae naturalis principia mathematica . * ]fuam quantitatem Sf, ut & vis S Mad mediocrem fuam quanti-tatem 3 ^K^ Hae vires, per Legum Corol. 2. componunt vim5 L; & hasc vis, fi in radium 5 (P demittatur perpendiculum L £,refolvitur in vires SE, EL, quarum 5 E, agendo femper fecundumradium 5 T, nec accelerat nec retardat defcriptionem arex f2J$ <P. ladio illo 5? factam; 8c EL agendo fecundum perpendiculum,accelerat vel retardat ipfam,cjuantum accelerat vel retardat Lunam.Acceleratio illa Lunas, in tranfitu ipfius a Quadratura C ad conjun-ctionem A, fingulis temporis momentis facla, ef Stock Photo](https://c8.alamy.com/comp/2AJBBEH/philosophiae-naturalis-principia-mathematica-fuam-quantitatem-sf-ut-vis-s-mad-mediocrem-fuam-quanti-tatem-3-k-hae-vires-per-legum-corol-2-componunt-vim5-l-hasc-vis-fi-in-radium-5-p-demittatur-perpendiculum-l-refolvitur-in-vires-se-el-quarum-5-e-agendo-femper-fecundumradium-5-t-nec-accelerat-nec-retardat-defcriptionem-arex-f2j-ltp-ladio-illo-5-factam-8c-el-agendo-fecundum-perpendiculumaccelerat-vel-retardat-ipfamcjuantum-accelerat-vel-retardat-lunamacceleratio-illa-lunas-in-tranfitu-ipfius-a-quadratura-c-ad-conjun-ctionem-a-fingulis-temporis-momentis-facla-ef-2AJBBEH.jpg "Philosophiae naturalis principia mathematica . * ]fuam quantitatem Sf, ut & vis S Mad mediocrem fuam quanti-tatem 3 ^K^ Hae vires, per Legum Corol. 2. componunt vim5 L; & hasc vis, fi in radium 5 (P demittatur perpendiculum L £,refolvitur in vires SE, EL, quarum 5 E, agendo femper fecundumradium 5 T, nec accelerat nec retardat defcriptionem arex f2J$ <P. ladio illo 5? factam; 8c EL agendo fecundum perpendiculum,accelerat vel retardat ipfam,cjuantum accelerat vel retardat Lunam.Acceleratio illa Lunas, in tranfitu ipfius a Quadratura C ad conjun-ctionem A, fingulis temporis momentis facla, ef Stock Photo")
RM2AJBBEH–Philosophiae naturalis principia mathematica . * ]fuam quantitatem Sf, ut & vis S Mad mediocrem fuam quanti-tatem 3 ^K^ Hae vires, per Legum Corol. 2. componunt vim5 L; & hasc vis, fi in radium 5 (P demittatur perpendiculum L £,refolvitur in vires SE, EL, quarum 5 E, agendo femper fecundumradium 5 T, nec accelerat nec retardat defcriptionem arex f2J$ <P. ladio illo 5? factam; 8c EL agendo fecundum perpendiculum,accelerat vel retardat ipfam,cjuantum accelerat vel retardat Lunam.Acceleratio illa Lunas, in tranfitu ipfius a Quadratura C ad conjun-ctionem A, fingulis temporis momentis facla, ef
RM2AWRTJX–L'architettvra . nzati non fuffe più dun piede riquadrato cheambeduifariano piede due quadri,chegionti con li 28. quadratura della porticella di braceia 7. alta & larga 4. farcbbeno ben trenta come la quadratura della tauola di braccia die-ci longa, e tre larga, ma perche fi uede che glauanza due trianguli ortogoni,che la bafa di eia ;.fcuno è braccia tre,& la caretta ouer lato B. E.& C.F. è un braccio,che riquadrati i detti duetrianguli fanno in tutto brrxcia 3. che gionri con braccia 28. che fecondo lui uiene a efferela porticella fanno 31. che uiene a effere un braccio di più che non era de
RM2CR0B23–. Emblemi di Andrea Alciato, huomo chiarissimo, dal latino nel vulgare italiano ridotti . OVADRATVM infoditurfirminimatefrerafaxum^ Stat cirrhata fu per peólore imago cenus,Et fefe nulli profirerur cedere: talis Terminus eft, homines qui fcopus vnus agir •Eli: iq^imora dies, pr«fixaq; tempora fatis,Deqj ferunc pdiriÌ5 vltima iudicium• D Termine,EMBLEMA CLVIIL ^ R T E efquifita, e quadratura ferma »Qià lauorato forge vn faffo > in cui > Tronca 234 ^ndres. Rìdati Tronca dal petto in già, Hmago flafji Dhuom y che ben culto y e innanellato hai crine;[he cedere a neffuuy l<{ulU, prcfcffa.
RM2CPY33Y–. Emblemi. Dal latino nel vulgare italiano ridotti, contenenti il fiore et la sostanza de' più scelti scrittori & delle più celebri discipline dell'vniuerso, ripieni di ottimi consigli & saluteuoli documenti, per l'vso ciuile et morale della vita humana . ^VADRATVM infocliturfirmidìmateflcrafaxum:<EMBLEMA CLVIIL Urte efquifìta% e quadratura ferma>Qui lauorato forge vn fafjo > in cui, Trónca j li» ni»», i 1HW.HIII 234 Andrea fidati Tronca dal petto in giù y limago fiaffi Dhuom, che ben culto, e innanellato hai crine ;Qie cedere a ne/firn, Ttylla, profejfa. Tale il Termin fi finge. Vn f
RM2CPM1WF–. Ragionamento di Lvca Contile sopra la proprietà delle imprese : con le particolari de gli academici Affidati et con le interpretationi et croniche . L quadro di Marmo è Imprelà di Giorgio Riua fatta ad imitatione dellarte impcrciociie non lia voluto altra fimilitudine di quefta pietra che quanto le hadato lArte ciocia quadratura con ciò fìa chogni dura materia fottio cotal figura Tempre ila a vn modo,mai non è a riucrfo,mai non lotto lopra, mai non perfianco,mai non per rrauerfo.in guifa che fimigliante ftabilità conuiene alla virtu ferma e ben fondata nel cuor di quello honorato Academico i
RMRJXYB7–. An atlas of human anatomy for students and physicians. Anatomy. ^HE MUSCLES OF THE TRUNK 28; Base of the pericard: Basis pericardii Body of the sternum (manubriumj Corpus sterni Sternal portion Pars sternalis Costal portion Pars costalis. Twelfth rib ( osta 1I Vertebral portion Pars luinbalib ' Caval opening, or foramen quadratura Foramen verice cavse Central tendoa Centrum tendineuSi (Esophageal opening Hiatus oesophageus Aortic opening Hiatus aorticus First lumhar vertebra Vertebra lumbalis I Fig. 529.—The Diaphragm in Median-Sagittal Section, the Right Half seen from Within. Drawn from a
Search Results for Quadratura Stock Photos and Images (123)
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